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Renate Hammond is the founder of room for humour, a visual arts project specialising in the representation of humour in contemporary art.

Upcomig Exhibition

Stadttheater Fürth, built by the architects Fellner and Helmer 1901/1902. © John Hammond

 

 

 

Manfred Hürlimann

WIE ES MIR GEFÄLLT

AS I LIKE IT

 

Stadttheater Fürth

Königstr. 116, 90762 Fürth, Germany

20.09. - 24.11.2020

 

 

Vernissage: Sunday 20.09.2020 at 11 o'clock

Artworks

Manfred Hürlimann

Price list

Manfred Hürlimann

Nr.

Titel

Technik

Maße
H x B in cm

Preise
in €

 

Foyer

 

 

 

201

König Lear

Acryl

90 x170

5.200,-

202

Lulu  (nach Frank Wedekind)

auf

100 x 160

5.200,-

203

Ingeborg Bachmann und Paul Celan

Leinwand

70 x 120

3.800,-

204

In der Theaterloge

 

150 x 100

5.800,-

205

Erste Reihe

 

150 x 120

5.400.-

206

Theaterpause

 

90 x 120

4.200,-

207

Wir sagen uns Dunkles I

 

115 x 180

5.900,-

208

Ballerina

 

150 x 80

4.600,-

209

Not I  (Samuel Beckett)

 

60 x 55

2.300,-

210

Hamlet auf dem Friedhof

 

145 x 100

4.900,-

211

Papageno

 

100 x 40

2.800.-

212

Präludium

 

65 x 165

4.600,-

213

Der Handkuss

 

80 x 115

3.400,-

214

Wir sagen uns Dunkles II

 

150 x 100

5.000,-

215

Beethoven in der Probe

 

130 x 170

6.000,-

216

Architekturfragment II

 

100 x 35

2.700,-

217

Architekturfragment I

 

100 x 30

2.600,-

218

Verklärte Nacht
(Dirigent Christoph Eschenbach)

 

90 x 60

3.000,-

219

Arthur Schopenhauer

 

80 x 115

3.900,-

220

Liebesreigen
(auch als Deckenbild geeignet)

 

120 x 120

4.800,-

221

Penthesilea  (nach Heinrich von Kleist)

 

120 x175

5.900,-

222

Kreutzersonate  (Geiger Ivry Gitlis)

 

65 x 125

3.800,-

 

2. Rang links

 

 

 

223

Gefesselter Amor

 

175 x 95

5.400,-

224

Schauspielerin Adeline Schebesch

 

200 x 145

6.900,-

225

Hymne

 

210 x 150

7.200,-

 

2. Rang rechts

 

 

 

226

Medea

 

200 x 125

6.500,-

227

Furie

 

70 x 230

6.000,-

Irrtum vorbehalten! 

Artist Profile

 

Manfred Hürlimann

Whoever looks at Manfred Hürlimann's paintings first recognises something concrete.

Then he will see that they are pictures of people; Images of people in a special condition.
A large part of the image area is empty: with a coloured or black background.
Whoever addresses Hürlimann's paintings asks less about the way in which they were made than about their content.
The low perspective view of the figures, the artist's handling of the colours, his painting technique become a minor matter in view of the background composition of the picture. The decorative appearance quickly turns out to be an optical trap; the second appearance turns out to be a negation of the aesthetic.
Manfred Hürlimann's imagery is embedded in the elegance of the sophisticated world.
Life is a theater, and theater in all its diversity is the subject of this exhibition.
Both the actor and the viewer play their part.
Image content and its painterly representation challenge the viewer: to see, to recognise, to understand.
Dr. Claus Pese

P R I V A T E   M U S E U M

 

John and Renate Hammond are celebrating forty years as curators and practising artists with the opening of their private museum in Dover which houses their collection of art.

P R I V A T E   C O L L E C T I O N

 

The Hammond Collection evolved through purchasing works of art and gifts from artists exhibited by curators John and Renate Hammond over the last four decades, running their Galerie am Theater (1979 – 1992) and Art-Agency Hammond (since 1993).

 

The collection contains 650 works of art, of which over 400 are by Renate Hammond  who is a graduate of the Academy of Fine Arts in Nuremberg.